Q: What strikes your pity to be so prominent?
A: It is because whenever I see a person aiming to engage in Journalism, I see no more than the smile of insanity or excitement. Logic is never in the equation of Journalism, nor in its existence, and femininity has merely encompassed it, like a spread of peanut butter on a slice of bread.
Q: What makes you intolerant towards Journalism?
A: Journalism resonates upon its sole ingredient: excitement. The thrill of the chase after the truth, is much different than a spread of directions, a spread of paths, as this relates more to the lie. A lie is complex, as are emotions, and each emotion is a different path. The source of the confusion comes from simply witnessing these emotions in their drama. Unless someone has the idea of writing of lost cats or children with sore legs after kicking a ball, there will be the crudeness of engaging in the lie, itself.
Q: What is the lie, itself?
A: The definition of a lie is simple complexity. A complexity that creates numerous paths, this is a lie. A deception, that is easily convincing, marks the essence of the emotion. Journalism strikes me as the only weapon that employs this. The usage of emotions, and never the consolation towards them. The witnessing of tears or fear, for the sake of the camera, makes it a reality, despite both the emotions and the presence of a camera making the scene an unreality. The viewer had not been there, though viewed the deception through a lens, and it all becomes a mere “perception”.
Q: What do you make of perceptions?
A: It is the one-sided story, the essence of the debate, the source of division, as each “perception” created from a sight upon a television screen, creates the feeling of loneliness, separation, and anxiety. Each viewer of a screen has been deceived, and now they are the victims from which deception creates puppets. Each string, that is, from the puppet master, marks each separate path towards an emotion. A puppet is only a representation of a lifeless corpse, without the strings. With the strings, the puppet is seen to be wild. It moves, though is still lifeless and without a soul.
Q: And back to Journalism?
A: In utilizing the ingredient of excitement, truth is always ignored. Truth is never discovered in this scenario. A Journalist will be so intent in “rushing within the rush”, so to speak, that they will never make an attempt to look for truth. They rush, lost in the crowd of both spectators and those who perceive, that they remain concealed. Most of them are rushed on caffeine, creating a further “fast-paced” attitude, marking them as the perfect vessel to be the perfect puppet. The wild one, is like a corpse reanimated.
Q: What more of Journalism?
A: A complexity is merely an emotion, and each emotion creates deception. Each person conflicted with a “mental illness” is lied to, whether by Psychiatrists, or by their own thoughts. A simple cure, such as a pill, is still alike the simple cure, that is suicide. The remedy is never to become a robot, though to use logic to uplift those deep in their emotions. It is because, whether it be depression or simple fear, there is calmness that reveals itself as more daunting than the fear, itself.
Modern Romanticism 