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Modern Romanticism

The aspect of romance, divided between the heartening and the thoughtful.

Dialogue – “The Scientist and the Poet/The Evidence of God #2” – 6/18/2019

June 18, 2019
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Q: How is it that a scientist cannot look anywhere but down?

A: It is because history has a habit of burying secrets. A scientist, in the denial of God, refers to life as opposite from death, inevitably so; for it actually is that love is opposite from death. It is not reason, but love that dictates the functions of the higher, or primate, brain. Genesis has described God as the Creator to Life, and after Creationism took place, God had rested. Through reason, there is industry. Through love, there is rest. This is the very reason for why the Christian God is considered the “God of Love” in being the entity who differs Himself from the opposite of honesty. And the opposite from honesty is deliberate analysis.

Q: How is it that such truth, as you’ve depicted is from God, is out of reach of a scientist?

A: Such secrets that “human history” has buried, is the reason for why all branches of science have no choice but to look down. The fixing of mistakes, upon the stain of human touch. Human action has created human fault, and human fault is repaired by those who offer answers to problems. They are the scientists of our day. For was it not God who a needful one looked up to? How would a scientist ever become obedient to God, when they, themselves, are the ones who provide answers? Had God looked up?

Q: And in what fashion can such truth ever be discovered?

A: Intuition and honesty and the “living of God” is all how a human can ever be one with God. When reason is embraced, then skyscrapers raise. Truth to “media outlets” that represents itself as anything of the unknown, which is a truth that relates itself to a “higher standard” will appear “shocking”. For it is because, like a woman’s nude body, truth is shocking. Truth is flesh, easily sculpted, and through dissatisfaction, and the continuous altering of truth, beauty is soon altered. Beauty is flesh, and the recognition of the face, and such details of features represent poetry. When skyscrapers rise, media is shocked by “higher truth” that is at God’s level, because even for how tall a skyscraper is built, “shocking” truth is that truth that remains out of reach.

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